The Best Action Cameras For All Your Craziest Adventures …
Choosing the best action camera used to be simple: Go with GoPro. That’s still good advice, as the GoPro ranks high on our list, and its forthcoming Mission 1 cameras could potentially top this list again, but there are also some worthy competitors that beat the current flagship GoPro Hero 13 Black on several fronts.
The decision is not easy, so to figure out what exactly makes the best action camera, we dove with them, climbed with them, surfed with them, and handed them to reckless 13-year-olds on bikes. We found several great options that will survive your adventures on the ski slope, at the beach, or at the skate park.
Be sure to also read our guide to the Best 360 Cameras, as there’s considerable overlap these days with action camera, and in some cases, for some people, they might be the better option. We’ve also got guides to the Best Travel Cameras, Best Mirrorless Cameras, and Best Instax Cameras.
Updated May 2026: I’ve noted GoPro’s announcement of the new Mission 1 Cameras, which will have 8K video and support interchangeable Micro Four Thirds lenses. I’ve also removed the GoPro Hero 12 Black because it’s no longer a good value, and I’ve updated prices and links throughout.
GoPro Mission 1 Update
Courtesy of GoPro
Casting a long shadow over any action camera buyer’s decision right now is the recently announced GoPro Mission 1 cameras. There are three of them, the Mission 1, Mission 1 Pro, and Mission 1 Pro ILS. All three feature a larger sensor with 8K video, improved low-light performance, up to 32X slow-motion footage, and 50-megapixel still images. The Pro ILS uses interchangeable lenses based on the Micro Four Thirds mount.
GoPro claims the new sensor offers a dynamic range of up to 14 stops, which rivals full-frame mirrorless cameras. This will be further helped by the available 10-bit GP-Log2 shooting mode, which maximizes dynamic range and allows for custom coloring in postproduction. Also interesting are some of the new accessories and add-ons. There are lens hoods, ND filters, a battery grip, a new Media Mod kit with a built-in mic, along with a 3.5-mm mic port, a headphone port, a micro HDMI port, and a line-in port for time code sync. GoPro is also making a point-and-shoot grip, reminiscent of Insta360’s grip for the Ace Pro 2.
Should you wait and see? Probably. The Mission 1 cameras are a bit pricier, $600 for the Mission 1, $700 for the Pro and Pro ILS (the latter of which won’t be available until Q3 2026), but the video and image quality GoPro has teased thus far are very impressive. We’ll have a full review coming next month.
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Best Overall Action Camera
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
Chevron Chevron to wishlist DJI
Osmo Action 6
Amazon
B&H Photo
DJI’s Osmo Action 6 is the best action camera right now. It trumps our previous top pick, the DJI Action 5 Pro, in several ways, adding a variable aperture for better low light performance and a new, larger sensor for higher-quality video. The Action 6 also gains 2X zoom and 8K video, though as with the Insta360 Ace Pro 2, the 8K video is more of a specs-based bragging right than a significant improvement over the 4K. It does mean you can crop in though, whether using the 2X zoom in-camera, or on your own when you’re editing.
Another great upgrade in the Action 6 over the Action 5 is some fairly dramatic improvements in color rendering and contrast in the default color modes. This is less apparent if you shoot Log-D, but if you don’t want to spend time color-grading your footage, now you don’t really need to. The default colors are pretty great for an action camera. Low-light performance is better, as you would expect with a wider-aperture lens. The video is cleaner and sharper than either the Action 5 Pro or the Ace Pro 2. That’s true whether you use SuperNight mode or not. I should note, though, that you don’t get full manual control here, but the automatic modes were pretty smart most of the time in my testing.
DJI has also ed GoPro’s lead here, adding a macro lens ($169) to its lineup, which also includes an ultrawide lens, now know as the FOV Boost lens with 182-degree field of view.
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- New larger sensor for higher-quality video
- 2x zoom and 8K video capable
- Good low light performance
- Better default color rendering
TIRED
- Can’t activate Zoom while filming
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The Best GoPro
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
Chevron Chevron to wishlist GoPro
Hero 13 Black
Amazon
GoPro
Adorama
We have a separate guide to choosing the right GoPro, and as noted above, the new Mission 1 camera complicate things, but for most people, who aren’t professional filmmakers, the Hero 13 Black is the best option. Its interchangeable lens system, while not as diverse and the Micro Four Thirds option of the Mission 1 Pro, still gives the Hero 13 Black more versatility. In addition to the standard lens, there is the Ultra Wide Lens Mod ($100) with a 177-degree field of view, a Macro Lens Mod ($149) for close-ups, and an Anamorphic Lens Mod ($150) with a 21:9 aspect ratio and those sweet, sweet movie-style lens flares. All of the extra lenses are automatically detected by the Hero 13 the minute you attach them, and settings are automatically adjusted accordingly. This is quite frankly the best feature of the camera, especially for the ND filters, which are normally quite a pain to set up with the proper shutter speed. Read our full GoPro Hero 13 review for more details on how the lens system works. And remember if you don’t need them, you don’t need them! After a year of playing with these I still use the standard lens the most, ed by the ultra wide lens, and occasionally the macro lens.
The Hero 13 Black added a nice magnetic mounting system, finally catching up to competitors, and it’s great, but it seems everyone forgot the GoPro has always had a quick mount system that is also great and remains what I use most. The 5.3K 10 bit video out of the GoPro Hero 13 is very nearly the best of the cameras on this page. The main reason we’ve put the DJI as our top pick comes down to battery life and low light performance. Still, this is the camera I personally use the most, and prefer over the others, with the caveat that I almost never shoot with an action camera in low light, so the fact that Hero 13 sucks in low light (and it really does) doesn’t matter to me.
If you’re into having something a little different, GoPro recently released a limited-edition white GoPro Hero 13 Black (yes, that is confusing), along with a Green model that I find strangely compelling.
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- Interchangeable lens system opens up new shooting possibilities
- New magnetic mounting system
- Excellent Log video support
- USB-C pass-through charging
- Much improved HDR mode with HLG
TIRED
- Same sensor as previous two generations
- Low-light/indoor performance is poor compared to competition
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Best for Vlogging
Chevron Chevron to wishlist Insta360
Ace Pro 2
Amazon
Insta360
If you’re going to be filming yourself at all, the Insta360 Ace Pro 2 is the camera to get. It has a great lens and sensor co-engineered with Leica, capable of recording 8K video at up to 30 fps. The 8K is not great for action—it has quite a bit of digital artifacts in fast-moving scenes—but it’s nice for cropping in on slower shots while retaining 4K video quality. The must-have feature for vlogging is the flip-up rear screen. While other action cameras offer a small front screen to compose selfies, the entire back of the Ace Pro is a screen that flips up, and it’s easier to frame yourself. It also makes it easy to shoot from the hip and other unusual angles.
The video quality is impressive, especially the low-light performance, which is much better than the GoPro’s. The Ace Pro 2 has great battery life and a magnetic mounting system that’s different from DJI’s, but also excellent. The big downside to the Ace Pro 2 is that it doesn’t support 10-bit color, which means you have fewer options to colorize footage in post-production.
In November 2025, Insta360 announced a series of new bundles for the Insta360 Ace Pro 2, including a set of extra lenses the GoPro Hero 13, a grip that makes holding the Ace Pro 2 more holding a traditional camera, and, most creatively, an instant printer that attaches to the bottom of the grip and effectively makes your Ace Pro 2 into a Polaroid-style instant camera. Their a fun way to extend the usefulness of the Ace Pro 2. It still might not replace a “real” camera, but grip makes it much more comfortable to spend a whole day shooting with the Ace Pro 2.
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- Large 1/1.3-inch sensor capable of 8K video at 30 fps
- Flip-up screen
- Excellent audio from built-in mic
- Support for log video and USB mic connections
TIRED
- Only 8-bit color
- 8K video isn’t great in motion scenes
- Default color settings are oversaturated
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Best Budget Action Camera
Photograph: Scott Gilbertson
to wishlist DJI
Osmo Action 5 Pro
Amazon
B&H Photo
DJI is still selling the Osmo Action 5 Pro and we’ve seen price drop as low as $289 for a basic kit. The Action 5 Pro can record 4:3 ratio video at up to 4K at 120 frames per second. It also has SuperNight mode, which shoots up to 4K/30-fps footage at 16:9 and uses noise reduction to get usable footage, even in low light situations. Battery life is solid as well, shooting about 2 hours of 4K video in my tests.
Sure, the GoPro Hero 13 offers 5.3K video resolution, higher than the Action 5, but it’s rarely this cheap. While the Action 6 above is clearly better, if you’re short on cash, this is the camera to get.
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- Industry-leading battery life.
- Built-in memory (plus SD card)
- Smaller, lighter than a GoPro
- Subject tracking
- Works seamlessly with DJI Mic 2
TIRED
- Default color rendering isn’t the best
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The Best Tiny Action Camera
Chevron Chevron to wishlist DJI
Osmo Nano
Amazon
Adorama
You could argue that DJI is copying the Insta360 here, which pioneered the detachable action camera with the Go series, most recently the Go Ultra ($500). But the first thing I thought of when I started testing the DJI Osmo Nano is the DJI Action 2, a weird blip in the action camera world that came out and vanished in barely a year. I was always fond of the Action 2 and its strange, detachable, magnetic configuration. The Osmo Nano feels DJI took the lessons from the Action 2, borrowed some ideas from Insta360, and out came the Osmo Nano.
The Nano consists of the Vision Dock, as DJI calls the screen and base, and the camera portion. They can attach with the screen facing either direction, using the same magnetic mount that DJI uses in other cameras. Crucially, this means the camera pod can be mounted to any DJI magnetic mount, something very convenient if you’re already heavily invested in the DJI ecosystem. The dock works from a distance of up to 33 feet and offers a bright, 1.96-inch touchscreen. There are two models available, one with 64 GB of built-in memory and one with 128 GB. Both have an SD card slot if you need more storage space. The 128-GB model offers a higher download rate when transfering footage, but it’s $30 more.
Nano uses a 1/1.3-inch sensor (the same one that was in the DJI Action 5), and you get some things here that you do not with the Insta360 Go cameras, including support for 10-bit color, 4K/60 fps video, and full sensor 4:3 4K video at up to 50 fps. Video out of the Nano looks good. DJI appears to have changed its color science somewhat. Video from the Osmo Nano looked more natural and less aggressively sharpened than the company’e previous cameras. If you shoot in 10-bit D-LogM, and do your coloring in post, you’ll have about 13 stops of dynamic range to work worth. That’s really nice when you’re filming difficult scenes riding a trail through the trees in midday sunlight.
What I didn’t love about the Nano is the design. If you want to film yourself, the Insta360’s flip-up screen is easier to use and works better. The camera pod is also considerably larger than the Go 3S pod. That said, the video quality here is better in almost every case I tested, and it’s $150 cheaper. The added bonus of integrating well with the rest of DJI’s products makes the Osmo Nano a great option.
WIRED/TIRED
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- Same high quality sensor as the DJI Action 5
- Support for 10-bit color and Log recording
- Camera pod works with any DJI magnetic mount
- Improved, more natural looking colors
TIRED
- Not the best for filming yourself
- Camera gets very hot recording 4K video
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Most Fun
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
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Photograph: Scott Gilbertson
Chevron Chevron to wishlist Insta360
Go Ultra Action Camera
Amazon
Adorama
B&H Photo
the DJI above, Insta360’s Go Ultra is a hybrid camera that transforms from a traditional action-camera design to a more portable go-anywhere wearable camera. In action camera mode, it’s much everything else in this guide—the flip-up rear screen is very similar to the company’s Ace Pro. The real genius of the Go Ultra, though, is when you remove the camera from the base and shoot with just the tiny little pod. The extremely strong magnetic mounting system on the camera pod means it’ll stick to just about anything metal, enabling you to get shots and angles that no other camera in this guide can match.
Most important though, this camera is just plain fun. I keep mine in my camera bag all the time and find myself using it more and more. The simplicity and ease of shooting with the Go Ultra are hard to match—just stick it somewhere and do your thing. There are two downsides: The pod isn’t waterproof without a different lens cover, and the battery isn’t removable, which means you need to lug around a portable battery charger to recharge on the go.
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- Pod-and-base design offer flexibility not found in other cameras
- Removable microSD card
- Large 1/1.28″ sensor offers good 4K video quality
- Much improved battery life
TIRED
- Not fully waterproof without add-ons
- No removable battery
- Larger and heavier than earlier models
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Best 360 Camera for the Action Enthusiast
Chevron Chevron to wishlist GoPro
Max 2 360 Camera
Amazon
GoPro
We have a whole guide to 360 cameras, but the line between action camera and 360 camera continues to blur. While I am generally a fan of things that do one thing well, GoPro’s Max 2 360 camera manages to produce great 360 footage and action camera footage.
The Max 2 delivers what GoPro calls “true 8K” 360-degree footage in a tiny, consumer-friendly package. The true bit refers to the fact that the Max 2 uses a larger sensor than competitors and is not counting the unused black portions of the sensor when touting megapixels. When you’re not feeling 360 footage, switch to single-lens mode and use it a GoPro Hero. It has pretty much the exact same specs and the plain Hero (not as nice as the Hero 13 Black, but pretty darn good). The twin 1/2.3-inch sensors are high enough resolution that you can reframe your footage to fit rectangular video formats and still have 4K clips, which are sharp enough to mix with other video and without noticing the difference. The Max 2 does struggle in low light, so see the full guide if that’s on your list of must-have features.
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- Sharper, clearer footage
- Natural-looking color rendition
- Great accessories
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- Audio is not so great
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Best Flying Action Camera
Photograph: Sam Kieldsen
to wishlist HoverAir
X1 ProMax
Amazon
B&H
Hoverair
Adorama
If I had to pick a video trend of the year, it’d be solo adventures shot from a third-person point of view—as if you have a film crew ing you. If you want to imitate a film crew, without, well, having a film crew, a drone is going to be an essential piece of kit. Of all the drones I’ve tested, the Hover Air X Pro is the best at being a flying action camera. It’s spendy, and not without its quirks, but no drone is better at ing you through all kinds of terrain, and no other drone is this easy to use.
All you do is unfold it, hit the power button, select the video mode, and then place the drone on your outstretched palm facing you. Tap the power button again, and it’ll head out to capture your shot. When you’re done ,it’ll land in your hand again. It can you at up to 26 mph, shoots up to 8K 30-fps video, and offers 50 GB of built-in storage (expandable by 1 TB via microSD card). The one thing I don’t is the battery life, which is only about 15 minutes in my testing. The flip side to the poor battery life is that the battery is small, meaning you have to carry two or three when you go out.
WIRED/TIRED
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- Excellent system and obstacle avoidance
- Simple operation and range of automated flight modes
- Good image quality
- Smaller and lighter than a DJI Flip
TIRED
- Short battery life
- Controller costs extra
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Best for Underwater Action
Courtesy of Olympus
to wishlist Olympus
Tough TG-7
Amazon
B&H
The Om Systems TG-7 isn’t a strap-it-to-your-head-and-shred camera, but if you’re shooting underwater—a common use case for these cameras—this is your best bet. The sensor in the TG-7 is the largest of the bunch (it’s a 1/2.33” CMOS sensor), and this is a seriously tough camera: freeze-proof, crush-proof, dustproof, and shockproof (you can drop it from 7 feet). It also has “real” camera features you won’t find elsewhere, focus stacking for close-ups, an extensive set of add-ons, extra lenses, and even an underwater case that extends its depth rating. The catch is that you probably don’t want to strap it to your head, but for a certain use case this will give you better looking photos and video in many situations.
Alternative: Ricoh’s Pentax WG-8 ($477) looks very similar to the TG-7 but costs a bit less and uses a 20 MP sensor to the TG-7’s 12 MP. Images are sharp, and the LED lights around the lens work remarkably well for macro images. The major limitation is that it only shoots JPG, not RAW photos. But if you don’t care about editing your RAW files and just want images straight out of the camera, the WG-8 is a cheaper alternative to the TG-7.
WIRED/TIRED
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- Micro 4/3 sensor captures excellent high res images
- Video capabilities are dated but still good enough for most (4L/30fps)
- Large lens with optical zoom (25-100mm)
TIRED
- Future of Olympus camera line is unclear
Compare Our Top Pick Action Cameras
| Max Video Specs | Battery Life | Max Bit Rate | FOV | Screen | Weight (including battery) | |
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| DJI Osmo Action 6 | 8K (16:9): 7680×4320@24/25/30fps (FOV options to Standard, Natural Wide, and Wide), 4K Custom: 3840×3840@24/25/30/48/50/60fps, 4K (4:3): 3840×2880@100/120fps | 122 minutes 4k/60 fps | 120 | 155 degrees, expandable to 182 with the BoosBoost t Boost FOV lens. Aperture: f/2.0-f/4.0 Focus Range (at aperture f/4.0): 0.2 m to ∞ | Rear: 2.5-inch rear OLED touchscreen Front: 1.46-inch OLED touchscreen | 149g |
| GoPro Hero 13 Black | 5.3K/60 fps (with 10-bit log), 4K/120 fps, 2.7K/240 fps, & 720p/400 fps with Burst Slo-Mo | 75 minutes 5K/ 60fps, 91 minutes 5K/ 30fps, 4k/ 60fps 88 minutes | 120 (200 with GoPro Labs firmware) | 156 degrees, expandable to 177 with Ultra Wide Lens Mod | Rear: 2.27-inch Touch Front: 1.4-inch Color Display | 159g |
| Insta360 Ace Pro 2 | 8K/30 fps, 4K/120 fps (with 8-bit color, no log) | 105 minutes at 4k/30 fps | 180 (but only 8-bit color) | 157 degrees | Rear: 2.5-inch flip touch LCD | 177g |
| DJI Osmo Action 5 Pro | 4K/120fps (with 10-bit D-Log), 1080p/240 fps with Slo-Mo mode | 118 minutes 4k/60 fps | 100 | 155 degrees, expandable to 182 with Wide Angle lens | Rear: 2.5-inch rear OLED touchscreen Front: 1.46-inch OLED touchscreen | 145g |
| DJI Osmo Nano | 4K/60 fps | 53 minutes at 4K/ 60 fps | 120 (10-bit color) | 143 degrees | 1.96-inch touchscreen LCD | 124g |
| Insta360 Go Ultra | 8K/60 fps | 65 minutes 4K/ 30fps (pod only)/195 minutes 4K/ 30fps (using base station) | 180 (but only 8-bit color) | 156 degrees | Rear:2.5-inch flip touch LCD | 53g (pod)/160g (with base) |
| GoPro Hero 12 Black | 5.3K/60 fps (with 10-bit log), 4K/120 fps | 49 minutes 4K/ 30fps | 120 | 156 degrees, expandable to 177 with Max Lens Mod | Rear: 2.27-inch Touchscreen Front: 1.4-inch color | 154g |
| Olympus TG-7 | 4K/30fps | 330 shots/~50 4K/ 30fps | 100 | 4x optical zoom (35mm equivalent: 25mm to 100mm) | 3-inch 1080p LCD | 249g |
The B-Roll
All those cheap cameras on Amazon: Readers often ask, why spend $400 on a GoPro when they can get a camera with 4K video for $100? It’s a fair question, and the answer comes down to software, primarily image stabilization. Action cameras are designed to be strapped to helmets or clipped to your chest while you skydive, rock climb, and race through the city on a scooter. Without stabilization, the results are something even your closest friends won’t sit through. So yes, you’ll get 4K footage with the cheaper cams, but it’ll be footage no one wants to see. In our view, you’re better off spending another $100 for an older GoPro (Hero 11 or 12) on sale.
Best Accessories to Trick Out Your Camera
Photograph: Scott Gilbertson
Once you have an action camera, you’re good to go for most use cases. GoPro, Insta360, and DJI all provide helmet mounts and other ways to stick your camera where you want it. But there are some nice extras that can make getting that shot you’re dreaming of even easier. Here are a few:
A good microSD card: You may get an SD card with your camera. Insta360’s SD cards are pretty good, actually, but I tend to use SanDisk’s Extreme cards because they’re fast and waterproof. You can pick up a 512-GB card for around $70. I also Samsung’s Pro Plus microSD cards, which are a little faster in my tests. You can grab a 256 GB for around $96. DJI has some specific recommendations for microSD cards to use with the Action 6. Of their list, the one I recommend is the Lexar Professional Silver Plus ($24).
GoPro Media Mod for $79: GoPro’s sound is OK out of the box, but if you want higher-quality audio, this is where you start. Not because the Media Mod produces great sound—it’s better than the camera, but still not great. What it offers is a microphone jack. Plug in a high-quality microphone, and you’ll finally have awesome sound. (Not recommended while skydiving.)
Handlebar/seatpost/pole mount for $40: This is my favorite mount for mountain biking, but it’ll also work on ski poles and any other round object you want to clamp it to.
Motorcycle accessory bundle for $50: If you ride, this mount for Insta360 cameras (Ace Pro, X5, etc.) is a must-have. It’s one of the most secure clamps I’ve ever used, almost as good as a bench vice.
Yallsame tripod mount for $10: Action cameras offer many ways to mount them, but one that’s curiously missing is the traditional quarter-inch tripod screw mount. The GoPro Hero 13 has one, but this three-pack of adapters solves the problem for the others.
Polarizer and ND filters: If you shoot around water, through glass, or in any other high-glare situation, a polarizing filter will help cut that glare. Neutral density (ND) filters hold back light to let you shoot at a wider aperture in bright light, helping to increase the amount of motion blur. Both are great additions to your action camera kit. If you have the Hero 13 Black, you can get the new GoPro ND filter Four-Pack ($90), which automatically adjusts the camera settings when attached. This is huge since getting the shutter speed right with ND filters can take some trial and error. The GoPro ND filters handle all that for you. If you don’t have a HEro 13, I’ve tested and DJI’s ND filter set for the Action 6 ($79). For older GoPros, I Freewell’s polarizing and ND filters ($20). I suggest starting with an 8-stop ND or combo ND and polarizing filter.
Floaty for $35: Another one for the water shooters, but well worth the money since it’ll keep your GoPro from ending up at the bottom of the sea. I haven’t tried it, but here’s one for the Insta360 Ace Pro 2 ($20), and at the time of updating, the Action 6 is so new there doesn’t seem to be a case. I can confirm that the older case will work, but the buttons don’t quite line up, and it’s a pain to use. Hopefully, DJI will get out an updated version soon.
Selfie stick for $25: I’ve tested a lot of selfie sticks, and they’re almost all fine, but I keep grabbing this Insta360 version when I head out the door. It’s lightweight, small enough to fit at the bottom of my bag, and it’s affordable. If you want to go big, this Insta360 Extended Edition Selfie Stick ($100) can imitate a low-flying drone, perfect for use in national parks and other places where drones are forbidden.
Scott Gilbertson is Operations Manager for the WIRED Reviews Team. He was previously a writer and editor for WIRED’s Webmonkey.com, covering the independent web and early internet culture. You can reach him at luxagraf.net. … Read More
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TopicsShoppingbuying guidescameraaction camerascamerasPhotography
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